Titlebook: Imagining Death in Spenser and Milton; Elizabeth Jane Bellamy (Professor of English),Patr Book 2003 Palgrave Macmillan, a division of Macm

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Book 2003 modern canon, Edmund Spenser and John Milton. The volume draws its impetus from the conviction that death is a central, yet curiously understudied, preoccupation for Spenser and Milton, contending that death - in all its early modern reformations and deformations - is an indispensable backdrop for

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Book 2003reoccupation for Spenser and Milton, contending that death - in all its early modern reformations and deformations - is an indispensable backdrop for any attempt to articulate the relationship between Spenser and Milton.

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,Psychic Deadness in Allegory: Spenser’s House of Mammon and Attacks on Linking,ing this problem through the House of Mammon episode in . II, I will suggest links among the problem of thinking allegorically, greed, and death, and argue that the whole episode — the epic descent of the book’s hero Guyon to an underworld — amounts to an attack on readerly thinking; Spenser represe

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Anatomizing Death, It is also, I shall wish to argue later, the ground rhythm of cognitive method and aesthetic apprehension. The passage cited above, from Irenius’ eyewitness description of the Munster famine, is arguably one of the most haunting portrayals of human extremity in early modern literature. Irenius does

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Reading, Death and the Ethics of Enjoyment in Spenser and Milton,with verbal forms — genres, tropes, schemes. Historical because changes in literary forms disclose traces of history embedded in the context of the work, and because literary innovation — the disposition of old and new facts into new configurations, both figural and narrative — is itself a historica