Titlebook: Imaging Religion in Film; The Politics of Nost M. Gail Hamner Book 2011 M. Gail Hamner 2011 film.methodology.politics.realism.religion.Tast

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s the total occupation time measure of a one-sided super-½-stable motion on ... Using .(.), the mass density field . of . can then be defined by an excursion type formula, so that it solves the heat equation and is ... Another problem is the construction of higher dimensional catalytic super-Brownia

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Akira Kurosawa: “What Is a Thing?”; Posing the Religious in , (1975)stions. The first centers discursively on the relationship between the “religious” and the “social,” a relationship that is familiar to religion scholars but not to film scholars. The second question forms what I perceive to be the enduring worth of ., namely the question of “what is a thing?” Put m

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Joel and Ethan Coen: Searching for a Way Out; Alienation and Intimacy in , (2001)tion for their films.. The brothers’ ability to straddle elite, “art-house “ theatres and mall megaplexes demonstrates that though they sully the surface of categories, genres, cinematic codes, and audience expectations, they also keep their films light-hearted enough (or gory enough) to please broa

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Concluding Thoughtsional religion, as quickly referenced and dismissed in these films, conveys the reality and limits of ideology, or in Foucaultian vocabulary, it conveys the reality (and limits) of differential power relations that continually shape (and resist) the technologies of biopower.