Titlebook: Imaging Practice and Radiation Protection in Pediatric Radiology; Conventional Radiogr Michael Seidenbusch,Veronika Rösenberger,Karl Schn B

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Michael Seidenbusch,Veronika Rösenberger,Karl Schneiderribution needs to be better understood. I want to show here that Stoker draws us forcefully back to the most basic foundations of ‘Gothic’ fiction and theatre, especially in ., while simultaneously offering a ‘zone of horror’ that vividly harbours a host of anxieties basic to Anglo-European, white m

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Michael Seidenbusch,Veronika Rösenberger,Karl Schneider old I never knew what it was to stand upright’ (. I: 31). This produced a particularly intense exposure to the company of his mother, Charlotte, and the horrific stories she told of her childhood in Sligo at the time of the cholera epidemic, some of which were highly dramatic: Stoker’s great-nephew

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Michael Seidenbusch,Veronika Rösenberger,Karl Schneidergenre. Like the Count, the Gothic encompasses and has manifested itself in many forms. Bram Stoker and the Gothic demonstrates how Dracula marks a key moment in the transformation of the Gothic. Harking back to early Gothic‘s preoccupation with the supernatural, decayed aristocracy and incarceration

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Michael Seidenbusch,Veronika Rösenberger,Karl Schneider1917. This port town of North Yorkshire had been a favourite holiday retreat of Gerald’s father, the cartoonist and writer, George du Maurier. In the 1880s and 1890s George and his wife Emma frequented Whitby with their five children, the youngest of whom was Gerald. But by 1917, Gerald’s only broth

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