Titlebook: Imaginary Worlds in Medieval Books; Exploring the Manusc Martha Dana Rust Book 2007 Palgrave Macmillan, a division of Nature America Inc. 2

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涂掉

Afterword: A Life in Books: Habits and Habitats of Ricardus Franciscus,ford, Bodleian Library MS Ashmole 59 and Cambridge, Trinity College MS R.3.20, that Humphrey Newton compiled Bodleian Library MS Lat. misc. c.66, that John Lacy wrote and illuminated Oxford, St. John’s College MS 94, that Ricardus Franciscus inscribed Pierpont Morgan Library MS M.126, and that one “Lyty” copied Bodleian Library Bodley 638..

使腐烂

2945-5936 n books - in late-medieval Britain. It envisions the confines of medieval manuscripts as virtual worlds: realms that readers call forth through imaginative interactions with books‘ material features.978-1-137-06192-8Series ISSN 2945-5936 Series E-ISSN 2945-5944

JOG

,“Straunge” Letters and Strange Loops in Bodleian Library MS Arch. Selden. B.24,ve by way of an alphabetical simile, the scribes of five manuscript witnesses to . mark her last reported act in the poem with an alphabetical character, for they have provided her final letter to Troilus with a signature, “La vostre C.” (following V.1631)..

卵石

FADE

Into the Manuscript Matrix: Middle Letters for Readers of a Middle Sort,or medieval readers a book may bring forth an imaginary dimension—a productive cell I term the manuscript matrix—then the elementary building blocks of that quasi-verbal, quasi-visual realm would have to be the assembled letters of the alphabet. The notion that these elements of writing might consti

Banister

,“Straunge” Letters and Strange Loops in Bodleian Library MS Arch. Selden. B.24,n H and J—was an apt mediation of his “character.” In contrast, the heroine of this chapter, Chaucer’s Criseyde, is a queen in the area of good looks, at least according to the narrator of ., who figures her beauty at the beginning of the alphabet. Describing Criseyde’s appearance as she stands amon

Dendritic-Cells

,John’s Page: , in Pierpont Morgan Library MS M.126,tems of representation in a reader’s mind’s eye, the twenty illustrated manuscript witnesses to John Gower’s . comprise particularly robust sites for an exploration of this phenomenon and for readings of the storylines it encodes.. For its part, the textual component of those sites—that is, the text

MEET

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