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Titlebook: Image and Text in Conceptual Art; Critical Operations Eve Kalyva Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Conceptual

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发表于 2025-3-21 16:39:39 | 显示全部楼层 |阅读模式
书目名称Image and Text in Conceptual Art
副标题Critical Operations
编辑Eve Kalyva
视频video
概述Employs a multidisciplinary approach drawing from art history and theory, visual communication, philosophy, discourse analysis, literary criticism, and social semiotics.Uses case studies from differen
图书封面Titlebook: Image and Text in Conceptual Art; Critical Operations  Eve Kalyva Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Conceptual
描述.This book examines the use of image and text juxtapositions in conceptual art as a strategy for challenging several ideological and institutional demands placed on art. While conceptual art is generally identified by its use of language, this book makes clear exactly how language was used. In particular, it asks: How has the presence of language in a visual art context changed the ways art is talked about, theorised and produced? .Image and Text in Conceptual Art. demonstrates how artworks communicate in context and evaluates their critical potential. It discusses international case studies and draws resources from art history and theory, philosophy, discourse analysis, literary criticism and social semiotics. Engaging the critical and social dimensions of art, it proposes three methods of analysis that consider the work’s performative gesture, its logico-semantic relations and the rhetorical operations in the discursive creation of meaning. This book offers a comprehensive method of analysis that can be applied beyond conceptual art..
出版日期Book 2016
关键词Conceptual Art; Visual Communication; Visual Culture; Art History and Theory; Image and Text
版次1
doihttps://doi.org/10.1007/978-3-319-45086-5
isbn_softcover978-3-319-83205-0
isbn_ebook978-3-319-45086-5
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

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发表于 2025-3-21 23:26:13 | 显示全部楼层
The Performative Gesture of Image and Text Juxtapositions, event and in inverting the mediation of reality, the effects of documentation, the role of the archive and institutional discourse, and the relation between art, violence and political mobilisation. This chapter also reflects on the binary distinction between conceptual art and conceptualism.
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The Logico-Semantics of Image and Text,ansposition to different geographical and material sites, and the difference between a tautological and a critically engaged use of language. This is illustrated in the parallel discussion of Joseph Kosuth’s Art after philosophy (1969) and Burgin’s Situational aesthetics (1969).
发表于 2025-3-22 13:07:53 | 显示全部楼层
Conclusions, of art in relation to theory and drew to the surface the implications of writing about art and “doing” art history. Chapter 6 moreover reflects on the book’s methodology and reviews the current state of affairs in terms of art and criticism.
发表于 2025-3-22 17:26:38 | 显示全部楼层
Book 2016ands placed on art. While conceptual art is generally identified by its use of language, this book makes clear exactly how language was used. In particular, it asks: How has the presence of language in a visual art context changed the ways art is talked about, theorised and produced? .Image and Text
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