Titlebook: Identity and Cultural Memory in the Fiction of A. S. Byatt; Knitting the Net of Lena Steveker Book 2009 Lena Steveker 2009 culture.English

大沟

平庸的人或物

独白

Introduction her identity during social upheavals in Britain in the 1950s and the 1960s. The reader witnesses her struggling to find her place in life during a time of both progress and disorientation, when traditional gender roles start to break up and begin to be redefined, social hierarchies are threatened a

vertebrate

Concepts of Identity in A. S. Byatt’s Tetralogymphasis added).. Thus, Frederica represents ‘a concept of identity which can be described, in a phrase used by Paul Ricoeur, as a narrative unity of a life’ (Ricoeur, 1992, p.178).. Establishing narrativity as a central element of his philosophy of identity, Ricoeur supports the narrative paradigm g

BROOK

The Gendered Self Ash, to whom he has always felt related (., p.470). Having distanced himself from Ash, he comes to regard the poet as ‘wholly distant and separate, not an angle, not a bone … comprehensible by him or to do with him’ (., p.467). On the one hand, he feels isolated and alone when ‘Randolph Henry Ash a

Mosaic

Female Autonomyrocesses of socialization that leave little or no space for individual development (Silke, 2002, p.183)? If ‘society shapes self’ (Stryker, 1992, p.872) and if patriarchy subordinates women to men (Brooker, 2003, p.188, Feldmann & Schülting, 2004b, p.513), how can women achieve individual autonomy?

Analogy

使害羞

Mnemonic Spaces: Identity and Genreting has been concerned with somebody’s identity — his own. He observes that ‘in constructing . narrative I have had to insert facts about myself … I have somehow been . to write my own story’ (., p.237). As his search for his biographee’s identity triggers the development of his own identity, Phine

reperfusion

leniency