Titlebook: Identifying and Interpreting Incongruent Film Music; David Ireland Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 audio-vi

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BILL

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Identifying (In)congruenceyles of film scoring are considered. Writings from critics, practitioners, and theorists retrospectively studying film music illustrate how discourse can shape institutional practice and attitudes towards what constitutes (mis)fitting, (in)appropriate, and (in)congruent film music.

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Book 2018g for a film’s images and narrative. Defining incongruence as a lack of shared properties in the audiovisual relationship, this study examines various types of incongruence between a film and its music and considers the active role that it can play in the construction of a film’s meaning and influen

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Book 2018c incongruence. With case studies including well-known films such as .Gladiator. and .The Shawshank Redemption., this book combines scene analysis and empirical audience reception tests to emphasise the subjectivity, context-dependency, and multi-dimensionality inherent in identifying and interpreting incongruent film music.  .