Titlebook: Ideas of ‘Race‘ in the History of the Humanities; Amos Morris-Reich,Dirk Rupnow Book 2017 The Editor(s) (if applicable) and The Author(s)

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Race and Richard Wagner,nd anti-Semitism. All recognize these tenets in the theory; some find them present in the music dramas as well. Less recognized is how staging practices in Germany and the United States have tacitly taken different positions on the political potencies of the music dramas. In Germany, Wagner remains

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,“Nordics” and “Hamites”: Joseph Deniker and the Rise (and Fall) of Scientific Racism, and the notion of Rwandan Tutsi as “Hamitic invaders” was to return as a component in the 1994 Rwandan genocide. The idea of an exogenous, Hamitic aristocracy in East and Central Africa is pronounced in the writings (from 1913) of Charles Seligman (1873–1940) in which “race” infers biogenetic super

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,“The Creation of a Frustrated People”: Race, Education, the Teaching of History and South African Htry’s racial past (and present). Almost inarguably, no country’s humanities culture is as deeply tied to the concept and the manifestation of race as is South Africa’s. And while in the period after World War II race may have lost much of its legitimacy as a cultural, political and scientific catego

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