Titlebook: Hysterical Methodologies in the Arts; Rising in Revolt Johanna Braun Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 Hysteri

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Hauslehrer- und Konrektorenjahrelf as possible in the photographs. It could be, though, that it’s precisely by doing so that I create a self-portrait, doing these totally crazy things with these characters.” Sherman, one of the most widely discussed contemporary American artists, thus poses a serious challenge to art and cultural

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https://doi.org/10.1007/3-540-30906-3 made using pigmented microbes, can be read through the lens of nineteenth-century female hysteria. In so doing, she traces parallel narratives of containment and excess, drawing an analogy between the potentially uncontainable growth patterns of micro-organisms and the nineteenth-century female hys

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https://doi.org/10.1007/978-3-642-82660-3hrough case histories imply beyond their imagery and language, González has developed a performance devising method which she calls “gHosting” (a play of words referring to the hosting of a ghost). The method is directly related to both the hysteric and the performing body. Following Jacques Lacan’s

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Wind Energy and Wildlife Impactsal performance text” which emphasizes the “splits and contradictions” within and between characters, their voices and their bodies. This aesthetic strategy was pioneered by the Surrealists and others who encountered hysterical patients at the Pitié-Salpêtrière. Artists today do not necessarily draw

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Wind Energy for Power Generationhat is, literature and/as artistic research. Building on the writings of Hélène Cixous and Georges Didi-Huberman, Ballhausen retells the history of archives as a story of wandering images, care, neglect and conflict. He uses the mode of auto-ethnographic reflection to excogitate on his position as “

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https://doi.org/10.1057/9780230524279and how the hysteric has been imagined as a mediator between historical practices that were aware of their own performativity and current manifestations of hysteria that are performing this historical awareness and self-reflection. To understand hysteria’s agency, the author propose, one needs to lo

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Probabilistic Modelling and Optimization,estures of “écriture feminine” can themselves be read as hysterical writing, or open up another reading and understanding, which in turn could also lead to a new perspective on the writing of case studies in psychoanalysis. Dedicated to Écriture feminine/Trans*Writing the contribution commits to a “