Titlebook: Humour in Society; Resistance and Contr Chris Powell,George E. C. Paton Book 1988 Chris Powell and George E. C. Paton 1988 control.humour.r

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Auschwitz Jokes,d and Auschwitz has been amply documented many times over, e.g., by Terrence Des Pres in . (New York, 1977). In reading the moving accounts written by survivors, it is hard to imagine that any humour could possibly arise from the mass gassing of thousands of individuals.

Volatile-Oils

Blue Jokes: Humour in Police Work,and tactics that officers routinely employ. This complex contouring of beliefs, values and attitudes and their associated actions, which officers regard as ‘commonsense’, is conceptualised as ‘the occupational culture’ of the lower police ranks.

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The Comedian as Portrayer of Social Morality,r human situations which his listeners can cognise or perceive as being humorous. This role, in fact, can better be seen as consisting of a range of role-types as indicated by the designations of ‘comedian’, ‘clown’, ‘satirist’, etc., in its more professional or occupational guise. (see Table 10.1 below).

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The Origins of the Political Joke,Political jokes run in the veins of modern dictatorships of all political sorts, but they are at their best and most plentiful in the Soviet Union, and it is with the Soviet joke and its close relatives that these pages will chiefly engage.

Antagonism

https://doi.org/10.1007/978-1-349-19193-2control; humour; resistance; society