Titlebook: Humour as Politics; The Political Aesthe Nicholas Holm Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Comedy.Laughter.Satir

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Humour Without Anaesthetic: The Discomfort of Reality Comedy,social failure, these comic texts refuse to contain or resolve the possibility of discomfort, which is instead escalated in order to implicate the audience in the humiliation and suffering of those on-screen in a manner that complicates the experience of humour.

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Introduction: Living in Comic Times,n the Anglophone media of the 1990s, which cannot be adequately explained by the historical tripartite theory—incongruity, superiority and relief—of humour. The chapter expounds the rationale behind a “political aesthetic” theory of humour, the structure of the book, and the basic terminology of the

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Dissent in Jest: Humour in the Liberal Moment,tewart and Stephen Colbert’s “Rally to Restore Sanity and/or Fear,” held in Washington D.C. in October 2010. Tracing this understanding of humour through a range of recent humour theory, this chapter argues that the model of humour as a form of dissent is both ascendant and reductive, and over-deter

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Telling Jokes to Power: The (A)Political Work of Humour, through formal analysis of several comic texts that directly address the political sphere: ., ., ., and .. In doing so, I argue that the political valence attributed to the humour of these texts is misplaced and that the majority of the humour of these texts relies upon mockery of individual failin

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Humour Without Anaesthetic: The Discomfort of Reality Comedy,arked differences between these examples, they share a common orientation towards the documentary form by which they appeal to the reality of the situations represented and their connection to the lived existence of the audience. Lingering upon moments of bodily injury, extreme affective states and