Titlebook: Humanism, Drama, and Performance; Unwriting Theatre Hana Worthen Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Theatre.Hum

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https://doi.org/10.1007/978-3-658-34748-2oth Goethe’s literarizing model, machining the actor to textual ., and Schiller’s theatre of . (spiritualization) and its kinaesthetic spectatorial identification, problems extended and redefined by their major successor, Brecht.

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Book 2020d disciplines of literary, drama, theatre, and performance history and studies today. From Aristotle onward, theatre has been regulated by three strains of critical .poiesis:. the .literary,. segregating theatre and the practices of the spectacular from the humanizing work attributed to the book and

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erformance into the dominant understanding of the arts todayThis book examines the appropriation of theatre and theatrical performance by ideologies of humanism, in terms that continue to echo across the related disciplines of literary, drama, theatre, and performance history and studies today. From

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