Titlebook: Human Rights Film Festivals; Activism in Context Sonia M. Tascón Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited 2

exercise

公理

.. For example, the infamous dream problem: by what criterion do we distinguish waking from sleeping states? Sense experience can only be adduced as evidence in support of a putative knowledge claim if it can be established that it is waking and not dream experience. (There is no direct immediate t

步履蹒跚

过份好问

Canopy

Sonia M. Tascónf support for Berkeley, or of bald refutations of Berkeley‘s supposed fallacies, or whether, like the contemporary "analytical" studies of Moore, Warnock, and Austin, they are subtle exposures of alleged deeply concealed logical muddles, they all tend to share one common characteristic: they select

流浪者

Sonia M. Tascónf support for Berkeley, or of bald refutations of Berkeley‘s supposed fallacies, or whether, like the contemporary "analytical" studies of Moore, Warnock, and Austin, they are subtle exposures of alleged deeply concealed logical muddles, they all tend to share one common characteristic: they select

整体

Sonia M. Tascónto be called a language. It is vision, above all, (and in a minor degree sound) which provides us with a natural language: “All signs are not language: not even all significant sounds, such as the natural cries of animals, or the inarticulate sounds and interjections of men. It is the articulation,

reaching

tter, absolute space, etc. A world rendered clear and distinct on the surface has, beneath that shining surface, the blankness or opacity of the irrational. The attempt to bring full light to one half of the world leaves the other in total darkness. In excluding mystery, these metaphysicians have th

纬线

Human Rights: From Universalism to Internationalismt; some film/media students were interested in social issues and justice, but knew almost nothing about human rights and what this meant. The films we screened that year were few, but one troubled me deeply (I discuss this film in the following chapter). That film screening started me on this path,

GLUT

The Festival 1997 to 2003: From the , to Neoliberalismategory. It is of particular interest that BAFICI, a festival largely established on principles of the promotion of independent cinema (Buenos Aires Ciudad 2014), should include such a category, an obvious marker that human rights has become embedded not only in the public imagination but also in th