Titlebook: Hospitality and the Transatlantic Imagination, 1815–1835; Cynthia Schoolar Williams Book 2014 Cynthia Schoolar Williams 2014 America.Coope

Carter

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中和

重叠

Arbitrary

抚慰

pericardium

,A Sailor’s Welcome: James Fenimore Cooper’s , and Hospitality in the Coastal Zone,ly two of his men drag forward Kit Dillon, a loyalist who has been quivering below decks. Although Barnstable finds Dillon loathsome, and not for his politics alone, the victorious American nonetheless assures him: “you shall have a sailor’s welcome to whatever we possess” (. 204).

参考书目

England as Centrifuge: Felicia Hemans and the Threshold Foreclosed, aim. . Her enormously popular “feminine poetic national sentimentality” continued to be vital posthumously, both in the British Isles and at the farthest reaches of empire, where “Victorian culture tells soldiers that they fight for home, and it often does so in the voice of Felicia Hemans.”.

oblique

national tropes by reclaiming their countries‘ shared historical identification with hospitality. In doing so, they reimagined the spaces of encounter: the city, the coast of England, and the Atlantic itself.978-1-349-46468-5978-1-137-34005-4

keloid

Keeping Hospitality,he also feels betrayed. Didn’t the Phaeacians promise they would set a course for his native country? Yet here he is, on what seems to be another foreign shore: “Man of misery, whose land have I lit on now?/What . they here?” Odysseus cries. Will they be “friendly to strangers, god-fearing men?” .

MIRTH

Book 2014Hospitality and the Transatlantic Imagination, 1815-1835 argues that a select group of late-Romantic English and American writers disrupted national tropes by reclaiming their countries‘ shared historical identification with hospitality. In doing so, they reimagined the spaces of encounter: the city, the coast of England, and the Atlantic itself.