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Titlebook: Hooks in Popular Music; Tim Byron,Jadey O’Regan Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license to Spri

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书目名称Hooks in Popular Music
编辑Tim Byron,Jadey O’Regan
视频video
概述Explores the psychology of hooks in popular music.Introduces a new analytical approach to popular music.Fills a gap in the literature discussing the importance of earworms in contemporary music
图书封面Titlebook: Hooks in Popular Music;  Tim Byron,Jadey O’Regan Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license to Spri
描述.This volume is the first book-length study of hooks in popular music. Hooks - those memorable musical moments for listeners such as a riff or catchy melodic phrase – are arguably the guiding principle of much modern popular music. The concept of the hook involves aspects of melody, rhythm, harmony, production, lyrical and cultural meaning - and how these interact within a song’s topline and backing track. Hooks are also inherently related to the human capacities for memory and attention, and interact with our previous experiences with music. Understanding hooks in popular music requires a new interdisciplinary approach drawing from popular music studies, pop musicology, and music psychology, and this book draws from each of these disciplines to understand the hooks present in a broad range of popular music styles from the last thirty years..
出版日期Book 2022
关键词music psychology; earworms; musicology; popular music studies; song-writing studies; music theory; semioti
版次1
doihttps://doi.org/10.1007/978-3-031-19000-1
isbn_softcover978-3-031-19002-5
isbn_ebook978-3-031-19000-1
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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,D-D-Don’t Don’t Stop the Beat: Backing Track Hooks,roduction encompassed by (Moore in .. Routledge, 2012) explicit beat layer, functional bass layer, and harmonic filler layer and (Lavengood in . 26, 2020) novelty layer. Firstly, we discuss the way that pitch information can be used in the backing track to create hooks, drawing on the research of (
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,Don’t Bore Us, Get to the Chorus: Structural Hooks,nternalised frame of reference for what is likely to be present in a pop song at any particular time (i.e., that a verse is followed by a chorus). Hooks, therefore, can be created by the way the song manipulates that frame of reference. Accordingly, we firstly discuss the use of repetition in melodi
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