Titlebook: Hong Kong and Bollywood; Globalization of Asi Joseph Tse-Hei Lee,Satish Kolluri Book 2016 The Editor(s) (if applicable) and The Author(s) 2

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书目名称Hong Kong and Bollywood影响因子(影响力)

书目名称Hong Kong and Bollywood影响因子(影响力)学科排名

书目名称Hong Kong and Bollywood网络公开度

书目名称Hong Kong and Bollywood网络公开度学科排名

书目名称Hong Kong and Bollywood被引频次

书目名称Hong Kong and Bollywood被引频次学科排名

书目名称Hong Kong and Bollywood年度引用

书目名称Hong Kong and Bollywood年度引用学科排名

书目名称Hong Kong and Bollywood读者反馈

书目名称Hong Kong and Bollywood读者反馈学科排名

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978-1-349-95677-7The Editor(s) (if applicable) and The Author(s) 2016

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Hong Kong and Bollywood978-1-349-94932-8Series ISSN 2634-5951 Series E-ISSN 2634-596X

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Chinaman, Not Hindustani: Stereotypes and Solidarity in a Hong Kong Film on Indiaof India and is criticised by Indian scholars as humiliating and distasteful. By highlighting inter-Asian solidarities, Srinivas shows that the fusion of Hong Kong martial arts with Bollywood music and dance unites the twin paragons of global cinema and permits a new reading of the films as a performative critique of the Orientalising gaze.

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Slum Extravaganza!: Cultural and Geopolitical Representation of Dharavi in Celluloid India the depiction of Dharavi as a veritable Disneyland full of crimes, drugs, prostitution, and ., and as a land of utter poverty and moral bankruptcy. This is a strong case study of how Orientalism is, in fact, alive in contemporary Hollywood and in bourgeois Indian cinema under neoliberalism.

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Discontents of Modernity: Space, Consumption and Loss in Hong Kong New Wave and Bombay Parallel Cineand Bollywood during the 1970s and 1980s. It focuses on the rising trend of cinematic realism in both cinemas against the backdrop of anxieties brought on by modernization and urbanization. Despite the vast institutional differences between the two cities, the cinematic expressions of popular dissatisfaction were very similar in these films.

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https://doi.org/10.1057/978-1-349-94932-8East Asian Cinema; South Asian Cinema; Bollywood; Hong Kong; Globalization; Glocalization; Global Cinema; T

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Titlebook: Hong Kong and Bollywood; Globalization of Asi Joseph Tse-Hei Lee,Satish Kolluri Book 2016 The Editor(s) (if applicable) and The Author(s) 2

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