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Titlebook: Homo Creativus; The 7 C’s of Human C Todd Lubart,Marion Botella,Franck Zenasni Book 2022 The Editor(s) (if applicable) and The Author(s), u

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楼主: GERM
发表于 2025-3-27 00:25:48 | 显示全部楼层
Waste Creatively: The Intersection of Creativity and Consumerism,oducts are reviewed; and specific applications are made to the question of the promotion of creativity in the schools, where it is argued that the educational system itself and the graduates it produces are now seen as commodities. Finally, researchers are encouraged to examine the effects of the CO
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Christophe Mouchiroud,Nils Myszkowski,Martin Storme
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From Everyday Creativity to Eminent Cases of Creative Achievement in Professional Domains,tion and personality). The overall conclusion is that a definite qualitative gap separates the two levels of creativity, imposing constraints on the generalizability of results across the two levels. Creativity researchers must then scrutinize the specifics of those constraints.
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The Social Environment of Creativity,so point to research gaps—notably the limited research describing mesosystems and exosystem effects—but conclude that, overall, the social environment plays a substantial role in creativity, calling for further inquiry.
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Creative Problem Solving: From Evolutionary and Everyday Perspectives,ly breed creative solutions. The chapter concludes by examining at a macro-level the polarity between creativity and conformity and describes how this dialectic serves to facilitate cultural evolution.
发表于 2025-3-28 14:27:48 | 显示全部楼层
Creativity and Culture: Four (Mis)Understandings,ndings presents specific benefits but also considerable limitations. A sociocultural formulation of creativity as a distributed phenomenon, grounded in acts of collaboration, is advanced towards the end in order to reconnect creativity and culture in a conceptually meaningful and practically useful way.
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