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Titlebook: Holocaust as Fiction; Bernhard Schlink’s “ William Collins Donahue Book 2010 William Collins Donahue 2010 culture.fiction.Holocaust.novel

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发表于 2025-3-21 16:57:44 | 显示全部楼层 |阅读模式
书目名称Holocaust as Fiction
副标题Bernhard Schlink’s “
编辑William Collins Donahue
视频video
图书封面Titlebook: Holocaust as Fiction; Bernhard Schlink’s “ William Collins Donahue Book 2010 William Collins Donahue 2010 culture.fiction.Holocaust.novel
描述Holocaust as Fiction seeks to explain and critically evaluate the extraordinary success of Schlink‘s internationally acclaimed novel, The Reader , the widely read "Selb" detective trilogy, and two popular films based closely on his work.
出版日期Book 2010
关键词culture; fiction; Holocaust; novel
版次1
doihttps://doi.org/10.1057/9780230115460
isbn_softcover978-1-137-27763-3
isbn_ebook978-0-230-11546-0
copyrightWilliam Collins Donahue 2010
The information of publication is updating

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William Collins Donahueig wachsenden Beliebtheit. Diese sog. Renaissance der Dinosaurier hat dazu geführt, daß der Wissenschaftszweig Ichnologie (die Lehre von den Spuren) auch wieder interessanter wurde; dies bewirkte in der Folge wiederum, daß Fußspuren in unvorhersehbarer Hülle und Fülle entdeckt und untersucht wurden.
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William Collins Donahueinem Zairer. Im Mittelpunkt ihrer Forschung über traditionelle Methoden der Geburtenkontrolle standen als „kulturelle Vorläufer“ die zairischen Mütter, die sich während des Stillens dem Geschlechtsverkehr entzogen. Diese Art der „Fruchtbarkeitsregulierung und der zeitlichen Verzögerung zwischen den
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,Introduction: Mighty Aphrodite—Or How to Have it Both Ways,caust and become a vehicle for popular entertainment? When critics first began asking these questions, the assumption was often conspiratorial: the author or filmmaker was essentially being accused of consciously evading and trivializing the Holocaust. For example, in the wake of the release of Robe
发表于 2025-3-22 20:32:50 | 显示全部楼层
Resister after the Fact, past” eventually acknowledges having been involved in some nasty business but pointedly never specifies her responsibility for crimes during the Hitler period. Imagine further that this character, who is definitely, although nebulously, connected to Nazi crimes, is portrayed as a “moved mover,” tha
发表于 2025-3-22 21:39:37 | 显示全部楼层
Soothing Fictions, of the twentieth century, particularly during the early tumultuous, inflation-ridden years of the Weimar Republic. This time around she will marry for money, not love. The white spotlight starkly illuminates this solitary figure on the dark stage, and with a haunting refrain that does not lack a to
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Fathers and Sons,re is no sense here of pride or accomplishment in having confronted the Nazi “fathers.” Berg beats a hasty retreat, arguing first that the ’68ers’ accusations were largely overblown rhetoric that masked an unacknowledged, self-serving agenda. Even if some parents did deserve to be confronted, the se
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