Titlebook: History, Fiction, and The Tudors; Sex, Politics, Power William B. Robison Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Tu

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,Holbein and the Artistic Mise-en-Scène of ,,ut consistently important ways. This chapter will explore the various modes in which . deploys the visual arts to contribute to the sense of place and time, and, importantly, the manner in which specific works of art by Hans Holbein the Younger, and indeed the artist himself, are integral to the series’ narrative arc.

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,,, Natalie Dormer, and Our “Default” Anne Boleyn,When I interviewed Hilary Mantel in 2011 while she was still writing ., she described her characters as belonging to “a chain of literary representation.” Her Cromwell, she told me, “shakes hands” with previous depictions, as does her Thomas More, a bold departure from earlier depictions such as the sanctified icon of conscience in Robert Bolt’s .:

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Introduction,d in the storyline. From there the anachronisms, time compression, distortions, and outright inventions multiply, mingling with occasional moments of historicity and culminating with Henry agreeing with Thomas Moreand Thomas Wolsey’s proposal to create something that sounds like the League of Nation

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