Titlebook: Histories of the Devil; From Marlowe to Mann Jeremy Tambling Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Diabolical.Witc

Tinea-Capitis

使腐烂

Chapter 3: From Carnival to ,: Ships, Dogs, Fools, and the ,,ury. It contains a long section on hypocrisy and calumny (slander). Texts explored include Bosch and Bruegel’s paintings, Rabelais (and Bakhtin on Rabelais), Julia Kristeva’s . for the concept of abjection and its relation to carnival, and Falstaff in Shakespeare’s . plays, before a look at the cons

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Dorsal-Kyphosis

Chapter 5: Masks, Doubles, Nihilism,e of Satan, with reference to several Hoffmann texts, and James Hogg, and Maturin. It discusses the double, and leads from there into a discussion of the double as the threat of nihilism, a concept it explores. There is also a lengthy discussion of . and of Molière.

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Chapter 6: Goethe: , and Modernity,the subject of modernity, and seeing both Faust, and Mephistopheles, as instances of both. There are also digressive passages on George Eliot, and Klaus Mann’s ., and some comments on the ‘banality of evil’.

Rankle

Chapter 7: Dostoevsky: Murder and Suicide,eature’, and through the characters Kirillov and Stavrogin in his novel .. The fullest analysis, however, is reserved for ., of which this chapter attempts to give a close reading in terms of its diabolism. Drawing on Bakhtin, the chapter takes issue with many ‘traditional’ and Christian readings of

photophobia

BOOR

Experience an Integrated Approach: Combining Sustainability and Aesthetic Quality with Inclusivenesse architectural scale. In the second part, the authors pay attention to the role of green systems in the reconfiguration of urban morphology for the aesthetic quality of cities, with reference to the urban fabrics scale. In the last part, the authors highlight how green networks can contribute to th

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