Titlebook: Historical Theory and Methods through Popular Music, 1970–2000; “Those are the New S Kenneth L. Shonk, Jr.,Daniel Robert McClure Book 2017

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https://doi.org/10.1057/978-1-137-57072-7musical theory; popular music; historical theory; history; post 1960s; Anglo-Black Atlantic; music industr

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Kenneth L. Shonk, Jr.,Daniel Robert McClureUses popular music in the United States and United Kingdom in the years between 1970 and 2000 as the entrepôt to historical theory, and examines the history of popular music through alternative, or no

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Pop Music, Culture and Identityhttp://image.papertrans.cn/h/image/427407.jpg

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Book 2017es of case studies, this book mobilizes historical theory and methods to underline different expressions of alternative music functioning within a mainstream musical industry. Each chapter highlights a particular theory or method while simultaneously weaving it through a genre of music expressing a

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,“Will the Wolf Survive?”: Punk Rock and Chicana/o Identity in Los Angeles,uilding upon the presence of Chicana/o musicians in LA’s rock scene in the 1950s up through the advent of “Chicano Rock” in the 1960s and 1970s, Chicana/o punk rockers worked to forge a space of their own within their own communities in which “Los Punks” could maintain their cultural identity unsullied from traditional and assimilative forces.

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