Titlebook: Hinduism and Hindi Theater; Diana Dimitrova Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Hinduism.Hindi theatre.Hindi.Hi

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ata­ processing systems of all kinds, no matter whether human, (other) animal, or machine. Its scope is intended to span the full range of interests from classical problems in the philosophy of mind and philosophical psycholo­ gy through issues in cognitive psychology and sociobiology (concerning th

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Introduction,e works of seven influential playwrights and inquires into the way they have “imagined” and “reimagined” Hindu tradition. The major questions that I seek to answer are: What are the Hindu myths that the authors have appropriated and reworked in their plays and what are the ideological discourses tha

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Rethinking Hinduism, Mythologizing, and Otherism, Hindu traditions by taking into account the intrinsic links between religion, theatre, myth, and discourse. I will first present an overview of the major theories of myth, discourse, and the concept of the “other” and will then proceed to discuss the links between myth, ideology, and discourse and

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Diana Dimitrovan, and development of artificial intelligence. Given the multidisciplinary nature of its content, the book will appeal to a broad target audience, including those 978-3-030-39318-2978-3-030-39319-9Series ISSN 2194-5357 Series E-ISSN 2194-5365

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Diana Dimitrova of Newell and Simon and finds its culmination in the computational conception of lan­ guage and mentality. The "standard conception" represented by these views978-0-7923-0548-4978-94-009-1900-6Series ISSN 0924-0780

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