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Titlebook: Heroes and Heroism in British Fiction Since 1800; Case Studies Barbara Korte,Stefanie Lethbridge Book 2017 The Editor(s) (if applicable) an

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发表于 2025-3-21 18:03:57 | 显示全部楼层 |阅读模式
书目名称Heroes and Heroism in British Fiction Since 1800
副标题Case Studies
编辑Barbara Korte,Stefanie Lethbridge
视频video
概述Maps the way in which the figure of the hero has changed in British fiction since the 1800s.Examines a wide range of materials, from lesser-known texts to canonical, widely-studied texts.Maintains a b
图书封面Titlebook: Heroes and Heroism in British Fiction Since 1800; Case Studies Barbara Korte,Stefanie Lethbridge Book 2017 The Editor(s) (if applicable) an
描述This book is about the manifestations and explorations of the heroic in narrative literature since around 1800. It traces the most important stages of this representation but also includes strands that have been marginalised or silenced in a dominant masculine and higher-class framework - the studies include explorations of female versions of the heroic, and they consider working-class and ethnic perspectives. The chapters in this volume each focus on a prominent conjuncture of texts, histories and approaches to the heroic. Taken together, they present an overview of the ‘literary heroic’ in fiction since the late eighteenth century. .
出版日期Book 2017
关键词Victorian; Contemporary; Twentieth Century; 9/11; Fiction
版次1
doihttps://doi.org/10.1007/978-3-319-33557-5
isbn_softcover978-3-319-81546-6
isbn_ebook978-3-319-33557-5
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
The information of publication is updating

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Anindya Raychaudhurisheep, humans have a duty to respect the rights of wolves and sheep alike. This argument invites the objection that it makes it difficult to see how it could be wrong for humans to kill and eat animals if it is not wrong for animals to kill and eat each other.
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,Potentially the Noble Creature? Picturing Heroism in Henry Rider Haggard’s ,igure of the ‘noble’ heroine, Martin examines the positioning of . within the genre of the Victorian adventure novel and argues that the illustrated book form is ideologically significant in its ambiguous casting of heroism, gender and authority in Victorian print culture.
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The Fate of Heroism After Industrialisation: The Working-Class Male in the British Nineteenth-Centuated the wishes and anxieties of the middle classes by proxy. The reading of a whole range of novels reveals that in the context of middle-class mentalities with their emphasis on domesticity, self-help and work ethic, role models for a decidedly moral kind of heroism were needed.
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Victims and Heroes Get All Mixed Up: Gender and Agency in the Thriller,gement with the gendering of agency. While this gendering may confirm stereotypes, the more intriguing examples such as McDermid’s . use the disturbing elements of the thriller to unsettle orthodox assumptions about heroism and gender.
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