Titlebook: Henry James’s Portrait of the Writer as Hero; Sara S. Chapman Book 1989 Sara S. Chapman 1989 Henry James.LibreOffice Writer.OpenOffice Wri

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,‘The Death of the Lion’: James’s ‘Martyr of the Artistic Ideal’,r the years he came to think of it as a specific predecessor and companion piece of ‘The Next Time’. In both he presented a public ignorance and cruelty so great as to cause the exhaustion and death of the writer. These stories are companion pieces also in their portrayal of the contrasting efforts

incisive

Asseverate

平息

,The Ironic Figure in ‘The Figure in the Carpet’, a Jamesian than F. O. Matthiessen found the story ‘overly ingenious’ and ‘fresher in intention than in effect’ (. 1953, p. 16). Despite James’s often-quoted claim in the Preface to Volume XV that his aim in the story was to ‘reinstate analytical appreciation’, his idea did not develop from the ange

Vasodilation

The Portrait Refined: Six Miniatures,riter-critic. All preceded closely or were contemporaneous with his completion of . in late 1900. All but one, ‘John Delavoy’ (1898), he included in the New York Edition. Two others he included in Volumes XVII and XVIII, respectively, rather than in the group of stories about writers and critics tha

Femish

,Integrative Experience in ‘The Great Good Place’,p and, in a dream, come to understand that what he had dreamed of doing with his life was what he had, in fact, done (., p. 122). In the dream, the great longing of his life would be satisfied. James omitted the dream from ‘The Middle Years’ but returned to it as the central element of a later story

Accolade

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形状

Etymology