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Titlebook: Henry James and the Past; Readings into Time Ian F. A. Bell Book 1991 Ian F. A. Bell 1991 design.Europe.fiction.Henry James.history.history

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楼主: 叶子
发表于 2025-3-26 22:15:14 | 显示全部楼层
Commodity and Stylesues which overtly confront the reader, to an extent (excepting . and .) insisted upon as nowhere else in James’s works. The time is, predominantly, the difficult period of the late 1830s and early 1840s,. and the place is that area of lower Manhattan which awkwardly defends itself against contempor
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Language, Setting and Self the arcadian and the pastoral. By draining Verena of any substantive content, they maintain her as a creature of his own imagining, a ‘private’ figure to be shored against the intrusions of publicity. Paradoxically, such a draining is precisely the tactic of publicity itself in its promotion of the
发表于 2025-3-27 16:01:28 | 显示全部楼层
The Peculiarity of Social Life: Reform and Genderrable in Emerson. For the wider issue of James’s historicism, we should remember that Emerson’s handling of the equation between private and public occurs in the context of that earlier period of radical commercial change during the 1830s and 1840s. This period had already provided a focus for James
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The Personal, the Private and the Publicesire, which may be taken as characteristic of the industrial and marketing shifts graphing the consumer culture that began to structure American ways of seeing in the 1870s. The terms the title does contain are those which are most threatened by ‘publicity’, and some of the ways in which that threa
发表于 2025-3-27 22:20:13 | 显示全部楼层
Sincerity and Performanceg’s .. The complaint is expanded:.Caught here is the shadow of a major nineteenth-century debate about sincerity of feeling and behaviour, authenticity of representation, the self and its presentations. This debate had engaged James half a decade earlier ., in the presentation of Eugenia: its occurr
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The Self’s Representationsof the female within consumer culture. Rachel Bowlby has argued strongly for the connection between ‘the figure of the narcissistic woman and the fact of women as consumers’ in terms of the reflective/reflecting gaze:
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