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Titlebook: Heightened Genre and Women‘s Filmmaking in Hollywood; The Rise of the Cine Mary Harrod Book 2021 The Editor(s) (if applicable) and The Auth

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发表于 2025-3-21 17:38:48 | 显示全部楼层 |阅读模式
书目名称Heightened Genre and Women‘s Filmmaking in Hollywood
副标题The Rise of the Cine
编辑Mary Harrod
视频video
概述Sheds new light on the complex relationship between women filmmakers and the gendering of genres.Offers a variety of analyses, with readings of films ranging from Clueless to Zero Dark Thirty.Utilizes
图书封面Titlebook: Heightened Genre and Women‘s Filmmaking in Hollywood; The Rise of the Cine Mary Harrod Book 2021 The Editor(s) (if applicable) and The Auth
描述.Despite the widely publicised prejudice faced by women in Hollywood, since around 1990 a significant minority of female directors have been making commercially and culturally impactful films there across the full range of genres. This book explores movies by filmmakers Amy Heckerling, Nora Ephron, Nancy Meyers, Catherine Hardwicke, Sofia Coppola, Kimberly Peirce, Kathryn Bigelow and Greta Gerwig, including many which are still critically neglected or derided, seeing them as offering a new understanding of genre filmmaking. That is, like many other contemporary films but in a striking proportion within the smaller set of mainstream movies by women, this body of work revels in a heightened genre status that allows its authors to simultaneously address ‘intellectual’ cinephilic pleasures and bodily-emotive ones. Arguing through close analysis that these films demonstrate the inseparability of such strategies of engagement in contemporary genre cinema, .Heightened Genre .reclaims women’s mainstream filmmaking for feminism through a recalibration of genre theory itself. .
出版日期Book 2021
关键词Women Directors; Feminist Film Criticism; Women Filmmakers; Hollywood Cinema; Genre Theory
版次1
doihttps://doi.org/10.1007/978-3-030-70994-5
isbn_softcover978-3-030-70996-9
isbn_ebook978-3-030-70994-5
copyrightThe Editor(s) (if applicable) and The Author(s) 2021
The information of publication is updating

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发表于 2025-3-22 00:14:16 | 显示全部楼层
,Genre as Pastiche in Women’s Filmmaking, in the book, that is, notably as they intersect with questions of gender. It discusses the imbrication of genre and pastiche with the culturally feminised sphere of emotion. As well as drawing on the work of Torben Grodal and Richard Dyer, it dialogues with more recent scholarship in (queer) affect
发表于 2025-3-22 02:34:32 | 显示全部楼层
Pastiching the Popular,to emotive or intellectual categories. These evolve from chick-flick remakes focused on love and the domestic sphere to the ‘masculine’ war film via the notionally gender-ambivalent territory of teenpics and teen fantasy or Gothic, which in itself gives the lie to rigid distinctions. Harrod evaluate
发表于 2025-3-22 05:22:01 | 显示全部楼层
Art Imitating Life Imitating Art,ralities, from the War on Terror to the USA of the 1960s and 1970s to eighteenth-century Europe. Harrod argues that the films examined in this chapter signpost the generic nature of human experience of the social world in a fashion that is significant across racial, gender and other identity categor
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Mary Harrod February of 1585 he was still living in Stratford-upon-Avon, the town of his birth. He was not quite 21 years old (born, perhaps, on 23 April 1564, baptized, certainly, on 26 April), the father of new-born twins Hamnet and Judith, who were christened on 2 February of that year, as well as of Susann
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Mary Harrodperbolic paraboloid forms one continuous surface, which distinguishes it from other such applications that are attained by combining different parts of hyperbolic paraboloids. The saddle-type hyperbolic paraboloid structure has no joint lines marking the connections of different parts and has a unif
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