Titlebook: Heidegger, Aristotle and the Work of Art; Poeisis in Being Mark Sinclair Book 2006 Palgrave Macmillan, a division of Macmillan Publishers L

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Mark Sinclairelgrande 1988]. But a widely used approach to nonmonotonic logics is based on modal logics (for an introduction to modal logics see [Lemmon 1977] or [Hughes and Cresswell 1978]), in contrast to default logic and circumscription which do not appeal to modalities at all. This section and those following are devoted to such nonmonotonic logics.

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flection on art as necessitating a revision of this interpretation. It argues that this tracing is vital to engaging with the historical significance of his thinking, and with modern metaphysics and aesthetics.978-1-349-54230-7978-0-230-62507-5

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https://doi.org/10.1057/9780230625075aesthetics; Aristotle; Martin Heidegger; metaphysics; ontology; truth

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978-1-349-54230-7Palgrave Macmillan, a division of Macmillan Publishers Limited 2006

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Introductionsignificance of what philosophers have come to term a ‘regional ontology’ it rather transforms the basic question of philosophy that Heidegger had posed in the 1920s, namely the question of being. The most specific aim of this study, therefore, is to determine exactly how Heidegger’s phenomenology o

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Art and the Eartho ‘another thinking’, a different form of thought and questioning. The chapter does this, as noted in the introduction to the book, in paying particular attention to the different versions of ‘The Origin’ that have been published. Although the final version of ‘The Origin’ has itself been published

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Mark Sinclaire dynamics; solutions converge to equilibrium. Liapunov functions and the LaSalle invariance principle areused to study the dynamics of a delayed logistic equation with both instantaneousand delayed density dependence

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Mark Sinclairoduced, including technical artefacts and socio-technical systems. The chapter introduces design science as the scientific study and creation of artefacts. Various kinds of design science contributions are identified, ranging from incremental improvement to radical invention.