| 书目名称 | Heidegger and Future Presencing (The Black Pages) | | 编辑 | Spencer Golub | | 视频video | | | 概述 | Uses the lens of Martin Heidegger‘s thought to interpret literature, theatre, and film pieces.Studies the idea of being-there that performs itself beyond liveness and a future that is already here.Rei | | 图书封面 |  | | 描述 | .This book applies Heidegger’s writings to experimental fictions and film genres in order to study a being-there that performs itself beyond liveness and a future that is already here. Theatrical mise-en-scène is analyzed as a way of modeling the Heideggerian ontological-existential, exchanging a deeper presencing for the fictional “now” of liveness. The book is organized around ostensible objects that are in fact things-as-such and performs its theme via time-traveling, interruptions, decompositions, incompleteness, failure, geometric patterning, and above all black pages first cited in .Tristram Shandy.. This is a nuanced, original work that combines unexpected sources with even more unexpected writing, imagery, and correspondences. It is part of Golub’s ongoing project of lyrically reimagining philosophy and the mise-en-scène of theatrical performance (a presence-room of consciousness) in light of one another. . | | 出版日期 | Book 2019 | | 关键词 | Being and Time; Laurence Sterne; Tristam Shandy; Jacques Roubaud; Alain Robbe-Grillet; Gertrude Stein; Har | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-030-31889-5 | | isbn_softcover | 978-3-030-31891-8 | | isbn_ebook | 978-3-030-31889-5 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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发表于 2025-3-21 17:49:44
