Titlebook: Heat and Alterity in Contemporary Dance; South-South Choreogr Ananya Chatterjea Book 2020 The Editor(s) (if applicable) and The Author(s) 2

Cession

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伙伴

States of Contemporary Dance,e significant debates in contemporary performance and art roughly through the last decade, it looks at the evolution of contemporary dance as “white dance” and the complex network of centrifugal and centripetal forces that undergird this field.

Intrepid

Choreographies of Difference-Making,aesthetically specific practice, especially in differentiation from the pedestrian vocabulary of postmodern dance. Ultimately, it reflects on the absent communities conjured through such specific practice, and why such invocations are crucial to the justice-based self-definition of contemporary dance and its reconstituted global stage.

etidronate

Introduction,rategies of “inclusion” result in failures to reckon with difference at the heart of global contemporary choreography. It articulates in detail the construction of the South-South axis, along which the choreographic readings are located, and its generation of the central trope of this book, Heat.

Prostatism

Sardono Kusumo: Vibratory Heat, Juxtapositional Disruptions, and Danced Rupture,formance to identify recurrent thematic concerns in his work: human-ecological relationships, different inspirations from practices that emerge from the Indonesian archipelago, rhizomatic choreographic structures, and investigations of “Tradition” that often become controversial.

Blood-Clot

共和国

2730-9266 graphic and discursive approaches to the study of concert daThis book argues that contemporary dance, imagined to have a global belonging, is vitiated by euro-white constructions of risk and currency that remain at its core. Differently, the book reimagines contemporary dance along a “South-South” a

llibretto

Germaine Acogny: Convective Heat and Ground-Shift in Contemporary African Dance,. Finally, it discusses the evolving worldviews framing her work, through the possibilities of postcoloniality, African modernities, globality, and aesthetic contemporaneities, as a mode of convective heat transfer, such that Acogny’s personal embodiment serves to energize the broader field of Contemporary African Dance.

定点

pacifist

Rulan Tangen: Entangling Memory, Relationality, and Repetition to Heat up Contemporary Indigenous D technique, platiality, practices of repetition, and imaginations of whole futures in dance. Ultimately, the argument positions Tangen as a central figure in the processes of reimagining contemporary dance through the lens of global Indigeneities, connecting to the heated core of the earth through her dance.