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Titlebook: Heart of Darkness; Ross C. Murfin Textbook 1996Latest edition Macmillan Publishers Limited 1996 bibliography.construction.edition.essay.ge

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Introduction: Biographical and Historical Contextsed fame in his third language is testimony to his genius — genius that could be contained neither by linguistic barriers nor by national boundaries. Early political persecution and exile failed to stifle it; even the loss of family and deep personal unhappiness could only restrain it temporarily.
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Heart of Darknessed fame in his third language is testimony to his genius — genius that could be contained neither by linguistic barriers nor by national boundaries. Early political persecution and exile failed to stifle it; even the loss of family and deep personal unhappiness could only restrain it temporarily.
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A Critical History of n, the other two works published in the collection, . and ., were received more favorably. In an unsigned 1902 review Edward Garnett both explained and deplored the fact that . was the least popular of the three tales. Calling it “too strong” a piece of “meat for the ordinary reader,” he insisted th
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Reader-Response Criticism and t wc may wonder whether everyone has read the same text. And some students respond so idiosyncratically to what they read that wc say their responses arc “totally off the wall.” This variety of response interests rcadcr-rcsponsc critics, who raise theoretical questions about whether our responses to
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Feminist and Gender Criticism and ,cal discourse that extends far beyond literature, far beyond the arts in general. The critical . of those who explore the representation of women and men in works by male or female, lesbian or gay writers inevitably grow out of and contribute to a larger and more generally applicable . discussion of
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