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Titlebook: Harold Pinter; Bernard F. Dukore (University Distinguished Profes Textbook 1988Latest edition Macmillan Publishers Limited 1988 dramatist.

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发表于 2025-3-21 17:57:26 | 显示全部楼层 |阅读模式
书目名称Harold Pinter
编辑Bernard F. Dukore (University Distinguished Profes
视频video
丛书名称Modern Dramatists
图书封面Titlebook: Harold Pinter;  Bernard F. Dukore (University Distinguished Profes Textbook 1988Latest edition Macmillan Publishers Limited 1988 dramatist.
描述Harold Pinter is today acclaimed as one of the best dramatists of modern times. In this study, Professor Dukore explores Pinter‘s dramatic art. There is a succinct biography of his life and work, followed by five chapters devoted to his plays and their performance. Pinter‘s place in contemporary drama is discussed in conclusion. In revealing Pinter‘s dramatic and theatrical strategems, the author has provided, for all students and theatregoers, a method of enjoying, appreciating and understanding plays ranging from The Room to One for the Road.
出版日期Textbook 1988Latest edition
关键词dramatist; Harold Pinter; realism; British and Irish Literature
版次2
doihttps://doi.org/10.1007/978-1-349-19562-6
copyrightMacmillan Publishers Limited 1988
The information of publication is updating

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书目名称Harold Pinter网络公开度学科排名




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书目名称Harold Pinter被引频次学科排名




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书目名称Harold Pinter年度引用学科排名




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书目名称Harold Pinter读者反馈学科排名




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Struggles for Power,r. In them potential victims fight victimisation, even try to victimise their antagonists; and who is victor, who victim, is often ambiguous. . adumbrates this question. Although Walter succeeds in regaining his room, he loses Sally; although she is dispossessed, she does not fall under his control.
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The Place of Pinter,fers to discuss practical matters, but he admits that this preference is ‘no more than a pious hope, since one invariably slips into theorising, almost without noticing it, and I distrust theory.’. Nevertheless his theoretical statements are acute. Like the minimalist dialogue of his plays, his minimalist theorising resonates widely.
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Menace and the Absurd,In 1957 David Campton coined the term ’Comedies of Menace’ as the subtitle of his one-act plays collectively called . In 1958 Irving Wardle applied it to . Although he subsequently wanted to withdraw the label,. its aptness made it stick.
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Memory Plays,In most of Pinter’s plays the past is unclear: Stanley’s transgression (.), Aston’s experience in the mental asylum (.), adultery (.), and so forth. More prominently than before, however, the works treated in this chapter focus on the past. Usually they are called memory plays.
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Recapitulations and Fresh Starts,In certain respects, to be explored below, Pinter’s most recent plays recapitulate earlier themes and techniques. In other respects, also to be examined, they move — sometimes provisionally, sometimes boldly — in new directions. With ., and ., the familiar terrain is more obvious than the new; with ., and ., the reverse.
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