Titlebook: Haptics: Generating and Perceiving Tangible Sensations, Part I; 7th International Co Astrid M. L. Kappers,Jan B. F. Erp,Frans C. T. Hel Con

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啜泣

r present moment. Tracking back to early modern texts by Thomas More (.) and Edmund Spenser (.), it reads Berlant’s book as offering the latest installment in a long story of . or leisure as an ambivalently valued state of being keyed to discourses of political sovereignty and personal well-being, w

paleolithic

Gunter Hannig,Barbara Demlnomenon that is somatic and cognitive, suspensive and mobile, stupefying and animating, wonder provides a strategic alternative to paradigms of shame or hope in reading premodern queer subject formation and futurity. Wonder as a queer temporal strategy suspends the present but also gestures toward a

finite

Christos Giachritsis,Rachel Wright,Alan Wingons as necessarily conditioning human and non-human relationality. Rogers contributes to the development of a genealogy of affect theory that is attentive to these antecedents in Black feminist thought, exposing the under-acknowledged intellectual labor of Black feminists, and expanding the ways in

支架

Mirela Kahrimanovic,Wouter M. Bergmann Tiest,Astrid M. L. Kappersplores the idea that literary texts generate new and strange affective forces but that these are frequently commuted to normative models of human experience when analyzed by literary critics. Inflecting Brian Massumi’s influential work on affect theory with a Nietzschean critique of value, Marsden o

确认

Bektas Baybora Baran,Cagatay Basdogan such as Helen Macdonald’s bestselling . embraces human experience, including the subtleties of human emotion. Drawing on work by William Reddy and other theorists of affect, Ottum argues that affect is not only anthropocentric: in . affect amplifies the text’s “ecocentric” elements. By describing h

共同给与

NORM

Nicolas Venant,Antoine Niguès,Florence Marchi,Michal Hrouzek,Fabio Comin,Joël Chevrier,Jean-Loup Floplores the idea that literary texts generate new and strange affective forces but that these are frequently commuted to normative models of human experience when analyzed by literary critics. Inflecting Brian Massumi’s influential work on affect theory with a Nietzschean critique of value, Marsden o

苍白

Stephen James Redmond,Ingvars Birznieks,Nigel H. Lovell,Antony W. Goodwinbeing theory” as a rejection of the once dominant drive theory of human motivation, which leads to defining the primary terms necessary for understanding Tomkins’ ideation, such as affect, feeling, emotion, before moving on to introduce the language of literature in the expression of human affect-fe

FLIC

Loeiz Glondu,Maud Marchal,Georges Dumontger plays a crucial role in his script development, disgust legislates his tragedy. Prone to shame insult, the warrior Oedipus must respond with anger when his identity is threatened. He moves from ultimate respect as a warrior-ruler, as ., to his rejection as both a social- and self-disgusting obje