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Titlebook: Hanguk Hip Hop; Global Rap in South Myoung-Sun Song Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive license to

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2 Chainz & Rollies: Hip Hop as Self-Development Text in Neoliberal South Korea,iberal South Korea. Illionaire Records’ success anchors on two preconditions: staying true to oneself and working hard. Their success story allows hip hop to become a self-development text, one that manifests in the accumulation of wealth and fame. Their success is twofold: doing music that was not
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Idol Rapper: K-Pop and the Production of Authenticity,has consistently labeled and marketed itself as hip hop. Close analyses of the reality show . (2014) demonstrates how the group’s authenticity, as tied to hip hop, is negotiated. The chapter also examines RM—the leader and main rapper of the group—and his duality as an idol and rapper. By investigat
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Unpretty Rapstar: Gender and Representation in Korean Hip Hop,e, you have to take extra measures to prove your skills as a rapper or (2) If you have the skills but are not attractive, your appearance becomes a so-called Achilles Heel in your career as a rapper. The reality competition show . (2015) is examined as a case study to see how these conditions are ma
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We All Made Us: Historicizing Hanguk Hip Hop,s Hanguk hip hop by locating the local, global, and (trans)national flows of cultural exchange between America and South Korea and outlining the conditions that underlie the production, circulation, and consumption of Korean hip hop. Through a critical examination of these two planes, the chapter unpacks the development of hip hop in Korea.
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Unpretty Rapstar: Gender and Representation in Korean Hip Hop,-called Achilles Heel in your career as a rapper. The reality competition show . (2015) is examined as a case study to see how these conditions are manifested and reproduced on television. As unproductive and restricting the double bind may be, it offers an important start in the discussion of gender and representation in Korean society.
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