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Titlebook: Hand-Made Television; Stop-Frame Animation Rachel Moseley Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 aesthetics.animati

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发表于 2025-3-21 17:54:36 | 显示全部楼层 |阅读模式
书目名称Hand-Made Television
副标题Stop-Frame Animation
编辑Rachel Moseley
视频video
图书封面Titlebook: Hand-Made Television; Stop-Frame Animation Rachel Moseley Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 aesthetics.animati
描述.Hand-Made Television explores the ongoing enchantment of many of the much-loved stop-frame children‘s television programmes of 1960s and 1970s Britain. The first academic work to analyse programmes such as Pogles‘ Wood (1966), Clangers (1969), Bagpuss (1974) (Smallfilms) and Gordon Murray‘s Camberwick Green (1966), Trumpton (1967) and Chigley (1969), the book connects these series to their social and historical contexts while providing in-depth analyses of their themes and hand-made aesthetics. Hand-Made Television shows that the appeal of these programmes is rooted not only in their participatory address and evocation of a pastoral English past, but also in the connection of their stop-frame aesthetics to the actions of childhood play. This book makes a significant contribution to both Animation Studies and Television Studies; combining scholarly rigour with an accessible style, it is suitable for scholars as well as fans of these iconic British children‘s programmes..
出版日期Book 2016
关键词aesthetics; animation; bibliography; Britain; Great Britain; knowledge; play; television; British and Irish
版次1
doihttps://doi.org/10.1057/9781137551634
isbn_ebook978-1-137-55163-4
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

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发表于 2025-3-21 21:46:29 | 显示全部楼层
发表于 2025-3-22 02:47:34 | 显示全部楼层
https://doi.org/10.1057/9781137551634aesthetics; animation; bibliography; Britain; Great Britain; knowledge; play; television; British and Irish
发表于 2025-3-22 05:46:55 | 显示全部楼层
发表于 2025-3-22 12:02:53 | 显示全部楼层
The Pastoral Past, Pogles, . Trumptonshire . The Herbs . The Wombles, . Clangers,
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https://doi.org/10.1007/978-94-017-5908-3t be conceptualised around warmth, intimacy, scale and memory. At the same time, such a relationship might produce disjunctive moments which undermine the flattened nostalgia through which these programmes have often been affectionately remembered.
发表于 2025-3-23 02:57:39 | 显示全部楼层
Contexts,etched via archival research which establishes an environment of collaboration and negotiation between the BBC and independent producers of animation. Finally, the counter-cultural mood of the 1960s forms a significant backdrop against which these programmes negotiated social change.
发表于 2025-3-23 08:49:49 | 显示全部楼层
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