Titlebook: Hamlet and Emotions; Paul Megna,Bríd Phillips,R. S. White Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive licen

白杨鱼

hypertension

’s Tearsth wish in the first soliloquy—a temptation to suicide—, but also that he actively seeks Ovidian transformation in the form of a watery metamorphosis. Indeed, the desire to weep becomes a powerful engine of tragic catharsis despite the period’s profound reservations about mourning.

overwrought

爱花花儿愤怒

‘Eyes Without Feeling, Feeling Without Sight’: The Sense of Sight in the fallibility of vision is repeatedly connected to our inability to definitively read the emotions of others. I also consider the idea of emotional blindness and the gap between sight and emotional awareness in ..

清澈

FELON

为现场

‘Something After’?: , and Dreadring and inspiring fear in the other. Drawing on understandings of dread from both the existentialist philosophical tradition and the modern psychological school of Terror Management Theory, this essay maps the career of dread in Hamlet, suggesting how the emotion functions complementarily as a thematic and a structural element.

帽子

‘Speech Falters Speech Flinches When Horror Lifts a Fist to It’: Action, Emotion, and Inertia in Thr), Heiner Müller’s . (1977), and my own . (2009). These plays explore to varying degrees some of the principal themes raised in Shakespeare’s text—particularly questions of power, subjectivity, Hamlet’s presumed inertia, and those frequent misogynistic outbursts expressed by the protagonist.