Titlebook: Haiti and the United States; National Stereotypes J. Michael Dash Book 1988 J. Michael Dash 1988 Haiti.imagination.USA

Externalize

Myelin

https://doi.org/10.1007/978-0-387-74642-5agery, where the natives were nobly or ignobly black. Either uncritically idealized or blindly denigrated, Haiti had become the stock in trade for cheap sensationalist fiction, such as Theodore Roscoe’s . (1935) — a murder mystery complete with voodoo drums and malevolent zombies. However, at the en

Meander

山崩

吝啬性

宽宏大量

The Art of Darkness: Writing in the Duvalier Years, or interpretations of itself. American attitudes to Haiti from the 1960s onwards are marked by the singular influence of . and its debt to Conrad’s earlier imaginative fixing of Africa. Christopher Miller’s comment on the significance of . as the beginning of a special tradition of ‘Africanist discourse’ is pertinent.

ESPY

judicial

Pseudoephedrine

Dreaming the Same Dream: Harlem, Haiti and Racial Solidarity,his discourse. Haiti had been identified as deviant and banished to the cultural periphery. The perception of Haiti in reductive, ideologically determined terms had inexorably led to political attitudes of exclusion, paternalism and occupation.

决定性

Passionate Apologists: Haiti and the United States in the Post-Occupation Years,d of the decade, Haitian-American relations entered a new phase. Politically and culturally a new ‘order of things’ was established, as Americans, like Plato’s Cave dwellers, bravely turned away from what appeared to be Haiti’s disturbing strangeness and tried to face the reality of Haiti.