Titlebook: HCI International 2024 Posters; 26th International C Constantine Stephanidis,Margherita Antona,Gavriel Conference proceedings 2024 The Edi

MINT

Enhance Deepfake Video Detection Through Optical Flow Algorithms-Based CNNcerns for many countries, societies, individuals, and threatening cybersecurity. Detecting these deceptive videos is a critical challenge in preserving the integrity of information dissemination. We propose a novel approach of employing Optical Flow (OF) algorithms in conjunction with Convolutional

Commonplace

Decoding the Alignment Problem: Revisiting the 1958 NYT Report on Rosenblatt’s Perceptron Through thday of the event suggests a gap between media portrayal and the actual technical achievements. This discrepancy highlights the difficulty of conveying the nuances of emerging technologies through media, often leading to misconceptions about their capabilities. This paper explores the possibilities o

peak-flow

Evaluation of Adversarial Examples Based on Original Definitions implicitly defined as inducing misclassification without making the added noise discernible to humans. However, previous studies have mainly focused on misclassifying machine learning models, ignoring noise discernibility. To address this gap, we evaluated AEs based on the original definition of a

散步

Ventilator

反抗者

Enhancing Scientific Research and Paper Writing Processes by Integrating Artificial Intelligence Tooious AI platforms that facilitate efficient topic identification, the formulation of investigative questions, the analysis of previous literature, data processing, structuring and presentation of manuscripts, the successful case of a training program implemented at a university in Ecuador. This init

Irascible

难解

Hypomania

Artificial Intelligence and the Unveiling of Boundaries: Reflection on the Intersection of Creativitre and today have gradually blurred into similar concepts. There is a big gap between the knowledge accumulated in history and the current art phenomenon. Traditional research methods and knowledge structures are often difficult to effectively apply in the criticism of new art phenomena. Just like t

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