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Titlebook: Emotions and Contingencies in Conrad‘s Fiction; Yoko Okuda Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive lice

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发表于 2025-3-21 18:28:13 | 显示全部楼层 |阅读模式
书目名称Emotions and Contingencies in Conrad‘s Fiction
编辑Yoko Okuda
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概述The first book-length critical study of emotions in Conrad’s fiction.Studies ‘affect’ in Conrad’s fiction in terms of diverse emotional responses set off by ‘reactive emotions‘.Examines seven of Conra
图书封面Titlebook: Emotions and Contingencies in Conrad‘s Fiction;  Yoko Okuda Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive lice
描述.This book sets out to elucidate Conrad’s unique insight into the workings of human emotions for a readership of scholars and graduate students engaged in Conrad studies. It argues that the originality of Conrad’s conception of human emotions lies in his comprehensive grasp of emotions in the broad framework of a contingent world; he regards emotions as fundamentally a manifestation of human defiance towards reality. The book takes up seven of Conrad’s works which are of significance from the perspective of emotions and contingencies, including ‘Heart of Darkness’ and .Nostromo...
出版日期Book 2024
关键词Joseph Conrad; Affect Studies; Emotion; Psychology; Identity; Lord Jim; Heart of Darkness; Nostromo; The Sec
版次1
doihttps://doi.org/10.1007/978-3-031-66723-7
isbn_softcover978-3-031-66725-1
isbn_ebook978-3-031-66723-7
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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发表于 2025-3-21 20:15:07 | 显示全部楼层
Always ‘the Unexpected’: Conrad as discussed in the Introduction, and analyzes the idiosyncratic emotionality of the protagonist primarily in terms of the stressful power of emotion. The first part of this chapter is centered around the key concept of ‘the unexpected’ as a sign of impermanence, and argues that Marlow’s int
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Nature, Identity, and Emotions: ve tendencies manifested by the main characters. It raises the universal issue of the difficulty of reconciling one’s personal sense of identity with the consciousness of being part of Nature, indicating that this issue is closely related to the human desire for secure self-identity. The distinguish
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A ‘Pilgrimage of Emotions’: ‘The Duel’h the aggressive hostility of his opponent, Feraud. It examines his shifting emotions and the subtle changes in his emotional and intellectual attitude through a thematic and stylistic analysis, and argues that the threats posed, first to his compassionate attachment to his sister and then to his pa
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‘The Feel of the Ship’: ‘The Secret Sharer’n the literal rather than the non-literal level, with an emphasis on the issue of the body. It begins by tracing the intimate non-verbal communication that the captain shares with the stowaway and asserts that such a form of communication emphasizes the potential of the body to communicate and to ex
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