Titlebook: E(n)stranged: Rethinking Defamiliarization in Literature and Visual Culture; Nilgun Bayraktar,Alberto Godioli Book 2024 The Editor(s) (if

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https://doi.org/10.1007/978-3-031-60859-9aesthetic disruption; aesthetic practice; Uncanny; Critical Dystopia; dark humor; unfamiliar; cultural sam

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978-3-031-60861-2The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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Introduction,ory (from Brecht’s . to Mark Fisher’s .). After discussing recent scholarship on e(n)strangement, the editors also consider the reasons behind the growing interest in this topic against the backdrop of specific scholarly trends within and beyond the Humanities—including the “Weird turn,” postcritiqu

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Fear of the Strange: On Weird Ontologies and Eerie Agenciesonger be described in terms of Freud’s concept of the .: While the . remains within the opposition of the familiar and the unfamiliar, the weird and the eerie represent experiences of radical strangeness that are beyond the familiar. This chapter focuses on these new types of radical strangeness. It

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The Upside Down of an Italian Summer: Human-Nonhuman Enmeshment and Defamiliarization in Michele Marthe relationship between literary and sociopolitical forms (Levine, .. Princeton: Princeton University Press, 2015) while taking into consideration the eco-narratological outcomes of the posthuman turn (Caracciolo, .. Charlottesville: University of Virginia Press, 2021). Set over the course of a sum

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Making the Strange Familiar: Getting Intimate with Toxicityvisible and imperceptible power, with the aid of two case studies from landscape art. Wout Berger’s work . (Poisoned Landscape, 1992) is exemplary of the ways in which defamiliarization has been a useful aesthetic strategy for artists to make toxicity’s presence in the everyday tangible. But if toxi