Titlebook: Exploring Music Contents; 7th International Sy Sølvi Ystad,Mitsuko Aramaki,Kristoffer Jensen Conference proceedings 2011 Springer-Verlag Gm

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书目名称Exploring Music Contents影响因子(影响力)




书目名称Exploring Music Contents影响因子(影响力)学科排名




书目名称Exploring Music Contents网络公开度




书目名称Exploring Music Contents网络公开度学科排名




书目名称Exploring Music Contents被引频次




书目名称Exploring Music Contents被引频次学科排名




书目名称Exploring Music Contents年度引用




书目名称Exploring Music Contents年度引用学科排名




书目名称Exploring Music Contents读者反馈




书目名称Exploring Music Contents读者反馈学科排名

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Unsupervised Analysis and Generation of Audio Percussion Sequences low clustering refinement) versus specificity (long context, high clustering refinement) of the generated sequence. For a broad variety of musical styles the musical characteristics of the original are preserved. At the same time, considerable variability is introduced in the generated sequence.

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Abstract Sounds and Their Applications in Audio and Perception Research to address the problem of stimulus selection and categorization of sounds in the context of perception research. This paper introduces what we call abstract sounds with the existing musical background and shows their relevance for different applications.

机密

sclera

0302-9743 of the 7th International Symposium on Computer Music Modeling and Retrieval, CMMR 2010, held in Málaga, Spain, in June 2010. The 22 revised full papers presented were specially reviewed and revised for inclusion in this proceedings volume. The book is divided in five main chapters which reflect the

entreat

Veranstaltungen des Bundesvorstandes,s described: the whole music system is split into several web services sharing an unique music representation. . is proposed as the interchangeable music data format based on the solid and flexible . representation. A web browser-based graphic environment is developed as the user interface for the Computer Music Cloud as music web applications.

ligature

Ausgangssituation und Grundbegriffe, to address the problem of stimulus selection and categorization of sounds in the context of perception research. This paper introduces what we call abstract sounds with the existing musical background and shows their relevance for different applications.