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Titlebook: Exploring Hartmut Rosa‘s Concept of Resonance; Mathijs Peters,Bareez Majid Book 2022 The Editor(s) (if applicable) and The Author(s) 2022

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发表于 2025-3-21 16:47:00 | 显示全部楼层 |阅读模式
书目名称Exploring Hartmut Rosa‘s Concept of Resonance
编辑Mathijs Peters,Bareez Majid
视频video
概述Presents various critical explorations of the concept of resonance, as originally developed by Hartmut Rosa.Foregrounds the value of affective, emotional, transformative and uncontrollable experiences
图书封面Titlebook: Exploring Hartmut Rosa‘s Concept of Resonance;  Mathijs Peters,Bareez Majid Book 2022 The Editor(s) (if applicable) and The Author(s) 2022
描述.This book makes a compelling case for utilising experiences of resonance in various academic and societal fields. ..The concept of resonance was first introduced by Hartmut Rosa to foreground the importance of affective, emotional, transformative and uncontrollable experiences in socio-political contexts that he characterizes as alienating. Based on a critical reading of Rosa’s theory and further developed through engagement with Theodor W. Adorno, Gilles Deleuze, Hannah Arendt, Judith Butler and others, this book introduces the notion of a ‘spectrum of resonance’ which encompasses both .critical resonance .and .affirmationist. .resonance.. This spectrum of resonance is used to analyse various forms of aesthetic experience illustrated with reference to Edgar Reitz’s film .Heimat. and the music of Nick Cave and Kayhan Kalhor...The spectrum is also deployed in the fields of museum, memory and trauma studies to show how experiences of resonance contribute to the constitution of political and social identities. The focus here is on memory practices in the Kurdistan Region of Iraq and the book seeks to decolonize resonance theory. .
出版日期Book 2022
关键词Hartmut Rosa; Resonance; Critical Theory; Postcritique; Heimat
版次1
doihttps://doi.org/10.1007/978-3-031-18060-6
isbn_ebook978-3-031-18060-6
copyrightThe Editor(s) (if applicable) and The Author(s) 2022
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Resonance and Aesthetic Experience: Between Critique and Postcritique, by exploring how this spectrum can be employed in the context of aesthetic experience. This context is discussed by contrasting Rosa’s resonance theory, and especially his ideas about aesthetic experience, with Rita Felski’s postcritical observations on what it means to attach ourselves to artworks
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The Spectrum of Resonance and Amna Suraka,nance theory. It does this by focusing on the memory site of Amna Suraka, in the Kurdistan Region of Iraq. This museum is housed in a former political prison, constructed under Saddam Hussein’s regime, and aims to pay tribute to the past suffering of Kurdistanis. It also celebrates Kurdish culture a
发表于 2025-3-22 18:15:29 | 显示全部楼层
Conclusion: A Resonant Turn?,nes to concluding remarks on our interpretation of Hartmut Rosa’s theory of resonance. The chapter ends with reflections on the links between resonance theory and post-postmodern theories that advocate a return to the realm of experience. Furthermore, it highlights the places where resonance theory
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Felix Otto,Steffen Pottel,Camilla Nobililso generates experiences of .. This claim is based on an analysis of experiences of ex-detainees, which are triggered in an affective manner by several sculptures in the museum’s former prison complex. By developing this analysis, this chapter aims to decolonize resonance theory.
发表于 2025-3-23 09:37:39 | 显示全部楼层
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