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Titlebook: Ezra Pound as Critic; G. Singh Book 1994 G. Singh 1994 Chaucer.concept.Dante.French.Geoffrey Chaucer.Henry James.Italy.John Milton.literar

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发表于 2025-3-21 16:28:28 | 显示全部楼层 |阅读模式
书目名称Ezra Pound as Critic
编辑G. Singh
视频video
图书封面Titlebook: Ezra Pound as Critic;  G. Singh Book 1994 G. Singh 1994 Chaucer.concept.Dante.French.Geoffrey Chaucer.Henry James.Italy.John Milton.literar
描述‘G. Singh‘s cleanly read monography gives testimony to Pound‘s sense of criticism.‘ - Ian Bell, Times Higher Education Supplement ‘Pound‘s criticism is as important to modern poetry as his own poetry. There is no book dealing with his criticism, either in England or in Italy, which presents it so lucidly and so convincingly as Singh‘s does.‘ Carlo Bo Examining with Pound‘s literary criticism as a whole, this new study discusses his critical tenets and concepts as well as his critical evaluations of Arnaut Daniel, Dante, Cavalcanti, Villon, Chaucer, Shakespeare, Milton, Thomas Hardy, Henry James, Yeats, Joyce, T.S. Eliot and Wyndham Lewis. Singh also comments analytically on Pound‘s critical credo, his poetics of imagism, his letters in criticism, his theory and craft of poetic translation and his views on modern French poets and prose writers. The conclusion is followed by a selection of Poundian maxims and aphorisms.
出版日期Book 1994
关键词Chaucer; concept; Dante; French; Geoffrey Chaucer; Henry James; Italy; John Milton; literary criticism; poetr
版次1
doihttps://doi.org/10.1007/978-1-349-23502-5
isbn_softcover978-1-349-23504-9
isbn_ebook978-1-349-23502-5
copyrightG. Singh 1994
The information of publication is updating

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发表于 2025-3-21 21:27:12 | 显示全部楼层
The Sense of Historical Situation,insights were partly conditioned by what he considered wrong or unacceptable in the contemporary literary and cultural situation. At the core of his thinking on art, technique and style, and his campaign for cultural values as well as critical standards there was not only a creative urge, but also a reforming zeal to ‘make it new’.
发表于 2025-3-22 03:45:31 | 显示全部楼层
发表于 2025-3-22 07:14:54 | 显示全部楼层
Book 1994s, Yeats, Joyce, T.S. Eliot and Wyndham Lewis. Singh also comments analytically on Pound‘s critical credo, his poetics of imagism, his letters in criticism, his theory and craft of poetic translation and his views on modern French poets and prose writers. The conclusion is followed by a selection of Poundian maxims and aphorisms.
发表于 2025-3-22 09:05:28 | 显示全部楼层
Research Projects of Sapienza Universityeats, Joyce and Eliot. Whatever stimulus Leavis himself may have got from Eliot at least in the earlier stages of his criticism, cannot be separated from the nature and extent of Pound’s impact on Eliot as a critic.
发表于 2025-3-22 14:05:21 | 显示全部楼层
Conclusion: Pound and Criticism,eats, Joyce and Eliot. Whatever stimulus Leavis himself may have got from Eliot at least in the earlier stages of his criticism, cannot be separated from the nature and extent of Pound’s impact on Eliot as a critic.
发表于 2025-3-22 17:51:13 | 显示全部楼层
Cecilia Rossignoli,Francesca Ricciardiry James, Eliot, De Gourmont) he wrote more than once — there are innumerable critical and analytical comments on several others, ranging from Homer to Hulme, which make up the bulk of Pound’s literary criticism.
发表于 2025-3-23 01:08:10 | 显示全部楼层
Critical Evaluations: Poetry,ry James, Eliot, De Gourmont) he wrote more than once — there are innumerable critical and analytical comments on several others, ranging from Homer to Hulme, which make up the bulk of Pound’s literary criticism.
发表于 2025-3-23 04:36:21 | 显示全部楼层
riticism is as important to modern poetry as his own poetry. There is no book dealing with his criticism, either in England or in Italy, which presents it so lucidly and so convincingly as Singh‘s does.‘ Carlo Bo Examining with Pound‘s literary criticism as a whole, this new study discusses his crit
发表于 2025-3-23 08:16:58 | 显示全部楼层
Samuel S. Kim,Matthew S. Wintersinsights were partly conditioned by what he considered wrong or unacceptable in the contemporary literary and cultural situation. At the core of his thinking on art, technique and style, and his campaign for cultural values as well as critical standards there was not only a creative urge, but also a reforming zeal to ‘make it new’.
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