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Titlebook: Exploring Hartmut Rosa‘s Concept of Resonance; Mathijs Peters,Bareez Majid Book 2022 The Editor(s) (if applicable) and The Author(s) 2022

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发表于 2025-3-21 16:04:12 | 显示全部楼层 |阅读模式
书目名称Exploring Hartmut Rosa‘s Concept of Resonance
编辑Mathijs Peters,Bareez Majid
视频video
概述Presents various critical explorations of the concept of resonance, as originally developed by Hartmut Rosa.Foregrounds the value of affective, emotional, transformative and uncontrollable experiences
图书封面Titlebook: Exploring Hartmut Rosa‘s Concept of Resonance;  Mathijs Peters,Bareez Majid Book 2022 The Editor(s) (if applicable) and The Author(s) 2022
描述.This book makes a compelling case for utilising experiences of resonance in various academic and societal fields. ..The concept of resonance was first introduced by Hartmut Rosa to foreground the importance of affective, emotional, transformative and uncontrollable experiences in socio-political contexts that he characterizes as alienating. Based on a critical reading of Rosa’s theory and further developed through engagement with Theodor W. Adorno, Gilles Deleuze, Hannah Arendt, Judith Butler and others, this book introduces the notion of a ‘spectrum of resonance’ which encompasses both .critical resonance .and .affirmationist. .resonance.. This spectrum of resonance is used to analyse various forms of aesthetic experience illustrated with reference to Edgar Reitz’s film .Heimat. and the music of Nick Cave and Kayhan Kalhor...The spectrum is also deployed in the fields of museum, memory and trauma studies to show how experiences of resonance contribute to the constitution of political and social identities. The focus here is on memory practices in the Kurdistan Region of Iraq and the book seeks to decolonize resonance theory. .
出版日期Book 2022
关键词Hartmut Rosa; Resonance; Critical Theory; Postcritique; Heimat
版次1
doihttps://doi.org/10.1007/978-3-031-18060-6
isbn_ebook978-3-031-18060-6
copyrightThe Editor(s) (if applicable) and The Author(s) 2022
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发表于 2025-3-21 20:18:49 | 显示全部楼层
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Towards a Spectrum of Resonance,ter claims that a more fruitful approach to the many experiences Rosa characterizes as resonant revolves around a .. With help of Rosa’s own references to Charles Taylor’s distinction between strong and weak evaluations, it is argued that one side of this spectrum concerns bodily desires and energie
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,The Spectrum of Resonance and Edgard Reitz’s ,nance theory. Furthermore, the chapter again explores the differences and similarities between Rosa’s aesthetic theory and Rita Felski’s postcritical analysis of art and attachment. This is done by applying the ideas of Rosa and Felski to Edgar Reitz’s film .. With help of an analysis of responses t
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Mitchell Young,Rómulo Pinheiro,Karel Šimay revolves around a problematic entwinement of normative and descriptive claims. It is also shown that in those passages in which he employs Taylor’s distinction, Rosa introduces a dichotomy between the life of the body and the life of the mind.
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