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Titlebook: Explorations in Cinema through Classical Indian Theories; New Interpretations Gopalan Mullik Book 2020 The Editor(s) (if applicable) and T

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发表于 2025-3-21 17:50:30 | 显示全部楼层 |阅读模式
书目名称Explorations in Cinema through Classical Indian Theories
副标题New Interpretations
编辑Gopalan Mullik
视频video
概述The first book of its kind to apply traditional Indian theories to cinema as a means of examining film.Compares and contrasts Indian theories with Western approaches to open film theory to exciting ne
图书封面Titlebook: Explorations in Cinema through Classical Indian Theories; New Interpretations  Gopalan Mullik Book 2020 The Editor(s) (if applicable) and T
描述This book explores cinema and film theory through classical Indian theories. While non-Western philosophies have largely been ignored by existing paradigms, Gopalan Mullik responds through an interrogation of how audio-visual images are processed by the audiences at the basic level of their being outside of Western experience. In the process, this book moves away from the heavily Eurocentric film discourse of today while also detailing how this new platform for understanding cinema at the most basic level of its meaning can build upon existing film theories rather than act as a replacement for them..
出版日期Book 2020
关键词Indian Aesthetic Theory; Embodied Theory of Cinema; Nyāya Theory of Perception; Rasa Theory; Bharata’s T
版次1
doihttps://doi.org/10.1007/978-3-030-45611-5
isbn_softcover978-3-030-45613-9
isbn_ebook978-3-030-45611-5
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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发表于 2025-3-21 22:14:15 | 显示全部楼层
,Nyāya Theory of Perception or ,: Classical Indian Theories of “Meaning” and Their Relation to Cinem” or a “thing” or a “state of affairs” appears to the perceiver and a “mode of presentation” in which the perceived appearance generates an “embodied sense” in the perceiver, an . which produces an “analytical meaning” by further analyzing the perceived item in terms of tools like inference, et cete
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Conclusion,rn theories which primarily generated an . in order to make film discourse more responsive to both ordinary and intellectual levels of understanding the medium. To be able to do so, reconciling the paradigmatic differences between the Indian and Western theories are necessary. In this context, the f
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Gopalan MullikThe first book of its kind to apply traditional Indian theories to cinema as a means of examining film.Compares and contrasts Indian theories with Western approaches to open film theory to exciting ne
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,Ānandavardhana’s Theory of Suggestion or ,: Indian Theories of “Art” and Their Relation to Cinema, following Indian theories of art are discussed: . which deals externally with human experiences and a much deeper . which restores . truncated due to ., . and the .. In Indian theories, the . is human beings’ .
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