Titlebook: Exhibiting Modernity and Indonesian Vernacular Architecture; Hybrid Architecture Yulia Nurliani Lukito Book 2016 Springer Fachmedien Wiesb

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The Dutch Pavilion at the 1931 International Colonial Exhibition in Paris: Contrasting Authenticityaimed entitlement to authenticity. The architecture of the pavilions had an experimental quality that made it possible for pavilions to offer summarized, accessible and seemingly realistic impressions of the culture and society represented.

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s using the images of Indonesian vernacular architecture presented at three different sites and times. She argues that modernity is not solely constructed by the authorities, rather it is an ongoing process modified by visitors of exhibitions. Pasar Gambir was a laboratory of modernity for the colon

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Taman Mini Indonesia Indah: the Rebirth of Indonesian Vernacular Architecture after Independence,the exhibitions, modernity, and power. One modern descendant of colonial exhibitions was the theme park with its various attractions and exhibits, constructed usually in response to tourism and according to national politics.

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