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Titlebook: Evolutionary and Biologically Inspired Music, Sound, Art and Design; 4th International Co Colin Johnson,Adrian Carballal,João Correia Confe

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Karen Goodnough,Saiqa Azam,Patrick Wellsre constructed on the basis of existing work on valence and arousal in music, and intended to provide control over those two mood factors. In this paper we conduct a listener study to determine how people actually perceive the various moods the generator can produce. Rather than directly attempting
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Exploring Emotion in Reformation Scotlandange representation. However the Tonnetz does not cover the functional relations between accords within tonality and is feebly suitable to capture the features of neo-tonal postmodern music based on a new use of tonal functionality. This work presents an alternative method for music harmony progress
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https://doi.org/10.1007/978-3-658-39193-5nd natural gestures to the sound being generated. The match between sound and image shows some semantic redundancy, aiming at a more narrative compositional approach where the fish is the main character. The system is targeted to soundscape composition and electroacoustic music featuring a high degree of improvisation.
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Exploring Discourse in Context and in Actionpecific computer language is introduced used to transform domain models to a comprehensive, human-readable text representation and vice versa. The language is also suitable to limit the search space of the evolution and as a composition language for human composers.
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Erik Jon Byker,Matthew A. Witenstein number of case studies are examined, including a many-objective problem involving 6 illumination requirements, the design of a decorative wall of lights, and the creation of a stained-glass window for a large public space. Our results show the technical and creative possibilities of applying genetic programming to illumination design.
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Exploring Educational Policy TransferWe performed a listening test to evaluate the chords subjectively and validate the penalty function. We found that chords with a low penalty value were considered better candidates than chords with higher penalty values.
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FuXi: A Fish-Driven Instrument for Real-Time Music Performance,nd natural gestures to the sound being generated. The match between sound and image shows some semantic redundancy, aiming at a more narrative compositional approach where the fish is the main character. The system is targeted to soundscape composition and electroacoustic music featuring a high degree of improvisation.
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