Titlebook: Europe, Nations and Modernity; Atsuko Ichijo Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limited 2011 conflict.Europe

Hypopnea

978-1-349-33707-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2011

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Infantry

2946-3335 Overview: This work offers a fresh perspective to the study of ‘Europe‘ by placing the discussion of ‘What is Europe?‘ and ‘What is it to be European?‘, in a wider context of the study of modernity through a collection of nine case studies.978-1-349-33707-1978-0-230-31389-7Series ISSN 2946-3335 Series E-ISSN 2946-3343

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言行自由

https://doi.org/10.1057/9780230313897conflict; Europe; France; Hungary; identity; Nation; work; european union politics; area studies

钳子

手段

Turkish Modernity: A Continuous Journey of Europeanisationngly, all societies were said to undergo the same transformations, but at different periods in time. In the end, they would all be ‘modern’ in a western sense. In this frame of reference, modernisation was equated with westernisation, and as such, was very much visible in the narrative of Turkish mo

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Europe As a Missed Opportunity: Looking Backwards to Modernity in Franceway, these nations were established as the secular, democratic, industrialised — and eventually post industrialised — welfare states we know today (Greenfeld 1992; Hobsbawm 1992). However, each of these countries took their own route to modernity, and experienced the tensions inherent in this proces

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European Identities Made in Germanyssary or, indeed, possible (Habermas 2006: 67ff), the issue has been discussed in Germany in a controversial manner. According to the sceptics — who in their various pessimistic scenarios consider it neither necessary nor possible — the EU lacks a basis of legitimisation, or else is not rationally t

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Greek Modernity and Europe: An Ambivalent Relationshipxt, drawing links between Greek modernity and classical antiquity. The narratives of modern Greek identity have been largely articulated in and then imported from western Europe as ‘components of a broader representation of the sources of European civilization’ (Tsoukalas 2002: 75). The word ‘modern