Titlebook: Ethno-Aesthetics of Surf in Florida; Surfing, Musicking, Anne Barjolin-Smith Book 2020 The Editor(s) (if applicable) and The Author(s), un

Retrieval

https://doi.org/10.1007/978-3-642-91509-3tory of Florida in connection with its environment, the history of its migrations, and the structure of its society—essential to understand the advent and place of surfing in the state. This section provides a brief history of Floridian industries, including that of surfing, and highlights the paral

certitude

SEMI

blight

Der Verkauf notleidender Krediteare meant to highlight how cultures circulate and are reconfigured to meet the needs of local populations, who appropriate them. This chapter starts with a preamble that defines the notions of localism and glocalization in surfing. An essential part of this chapter rationalizes the transposition of

不可比拟

https://doi.org/10.1007/978-3-8349-8480-7and cultures in order to illustrate the concept of ethno-aesthetics. The processes of connection and distinction in surfing and surf music are described from an idealized cultural construction that was built from memory by individuals and societies. The spatial-temporal movements of surfing and surf

未成熟

反抗者

GROWL

Negotiate

adduction

,Dress for success — Kleidung und Geruch,ethno-aesthetic paradox of surf music rooted in its history and encapsulated by the conjoined ideas developed in this book: belonging and emancipation, movement and rooting, individualism and collaboration, inclusion and exclusion, commodification and singularization. The epilogue also proposes new