Titlebook: Ethics and Cultural Policy in a Global Economy; Sarah Owen-Vandersluis Book 2003 Palgrave Macmillan, a division of Macmillan Publishers Li

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Introduction,id Ricardo’s tale of British cloth and Portuguese wine.. Not surprisingly, this story has been retold and refined over the years. Nonetheless, the fundamental idea that there are demonstrable welfare gains from free markets has continued to guide economic thinking.

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https://doi.org/10.1007/978-3-663-06935-5id Ricardo’s tale of British cloth and Portuguese wine.. Not surprisingly, this story has been retold and refined over the years. Nonetheless, the fundamental idea that there are demonstrable welfare gains from free markets has continued to guide economic thinking.

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Zusammenfassung der Gesamtergebnisse,de in the debate about culture can be categorised as market-based and community-based approaches. This chapter and the next will move on to show how these are actually ethical positions, stemming from different conceptions of individual self-understanding, of the location of value in society, and fr

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https://doi.org/10.1007/978-3-322-98643-6ion of whether and in what ways it is possible to provide a moral justification for community-based approaches to cultural policy. In other words, are there good ethical reasons why the state should intervene to support culture, and what might they be? This chapter will argue that, in considering co

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Fehlerbetrachtung bei der Wegmessung,lor’s ontology, even though it argued that his ethical and political positions contained serious difficulties and were inappropriate for this project. The tasks of this chapter are twofold. First, it will show how Taylor’s ontology can be developed to produce a different and more useful ethics for c

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