Titlebook: Essays on the History of Mechanics; In Memory of Cliffor Antonio Becchi,Massimo Corradi,Orietta Pedemonte Book 2003 Springer Basel AG 2003

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Motivation Model in Community-Built Systemrks of Clifford Truesdell, ., and of Edoardo Benvenuto, ., I explore how historians cope when confronted with developments crafted by the renowned that prove ill-fitted to what subsequently becomes the canonical form of theory, of concept, of ways of perceiving and analyzing the behavior of solids a

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Orfhlaith Ni Bhriain,Amanda Clifford pillars of modern structural mechanics. The deformation method played a decisive role during the transition from classical structural calculations to modern structural mechanics in the 1950s and 1960s. The internal structure of this method was particularly suitable for implementation on computers,

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https://doi.org/10.1007/978-981-15-0383-2k. Known in the fourteenth century and commonly constructed by the sixteenth, until the middle of the nineteenth century, timbrel vaulting was used vaulting in churches, floor systems and staircases. At the end of the nineteenth century Rafael Guastavino exported the method to the United States, whe

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,Ausblick — Kohäsion oder Gerechtigkeit?,how people discovered fundamental notions, laws and principles. Reading those texts on vaults once more, I realised that the history of the study of stability of a vault under its own weight during the period 1650-1750 was important for the discovery of other fundamental notions, so I decided to enl

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Commutation relations in quantum mechanics,ping flat-arch action, and thrusts with considerable force against the surrounding walls. Thus connexions at the periphery must be firm, and the masonry of the window itself must be of a satisfactory geometrical form to accommodate any irregularities which may develop at the boundary.

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E. Graham Evans,Phillip Griffithere already used by the historians of the fine arts at a time when there were only very few historians of science. Benvenuto and Truesdell, both great lovers and connoisseurs of the arts, taught us that science, like art, is beautiful, and that its history, when presented by great men, can be beauti